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Related: About this forumFrederick Wiseman, 96, Penetrating Documentarian of Institutions, Dies
Frederick Wiseman, 96, Penetrating Documentarian of Institutions, Dies
He exposed abuses in films like Titicut Follies, a once-banned portrait of a mental hospital, but ranged widely in subject matter, from a Queens neighborhood to a French restaurant.

Frederick Wiseman in 2015 during the filming of his documentary on the Jackson Heights neighborhood of Queens. Caitlin Ochs for The New York Times
By John Anderson
Feb. 16, 2026
Frederick Wiseman, a director whose rigorously objective explorations of social and cultural institutions constitute one of the more revered bodies of work in American documentary filmmaking, died on Monday at his home in Cambridge, Mass. He was 96. ... His family announced the death through Zipporah Films, the distribution company he founded in 1971.
Mr. Wiseman, who received an honorary Academy Award in 2016, was among the most influential directors of nonfiction cinema. ... He consistently dismissed categorizations of his work. I like to call them films rather than documentaries, he said, because he found the word documentary limiting. But he was as closely associated as anyone with the vérité documentary.
And though he denied that his movies had any political agenda, he was no stranger to controversy. His directorial debut, Titicut Follies (1967), a harrowing portrait of the Bridgewater State Hospital for the criminally insane in Massachusetts, remains the only film ever banned in the United States for reasons other than obscenity, immorality or national security. (The ban, imposed by Massachusetts on the grounds that the film violated the inmates privacy, was lifted in 1991; the film subsequently aired on PBS.)
Mr. Wisemans last films were among his best received. The novelist Jay Neugeboren, writing in The New York Review of Books, called In Jackson Heights (2015), a panoramic portrait of one of the countrys most diverse neighborhoods, in Queens, the most richly textured and sumptuously beautiful of Wisemans documentaries. Reviewing Ex Libris: The New York Public Library (2017) for The New York Times, Manohla Dargis called it one of the greatest movies of Mr. Wisemans extraordinary career and one of his most thrilling.

A scene from Mr. Wisemans directorial debut, Titicut Follies (1967), a harrowing portrait of the Bridgewater State Hospital for the criminally insane in Massachusetts. Zipporah Films
{snip}

Mr. Wiseman in an undated photo. I dont know if I can offer a general definition of what Im doing, he said in 2011, except to say Im trying to create dramatic structures out of ordinary experience. PBS, via Photofest
{snip}
A version of this article appears in print on Feb. 18, 2026, Section A, Page 20 of the New York edition with the headline: Frederick Wiseman, Influential Documentary Maker, Is Dead at 96. Order Reprints | Todays Paper | Subscribe
He exposed abuses in films like Titicut Follies, a once-banned portrait of a mental hospital, but ranged widely in subject matter, from a Queens neighborhood to a French restaurant.

Frederick Wiseman in 2015 during the filming of his documentary on the Jackson Heights neighborhood of Queens. Caitlin Ochs for The New York Times
By John Anderson
Feb. 16, 2026
Frederick Wiseman, a director whose rigorously objective explorations of social and cultural institutions constitute one of the more revered bodies of work in American documentary filmmaking, died on Monday at his home in Cambridge, Mass. He was 96. ... His family announced the death through Zipporah Films, the distribution company he founded in 1971.
Mr. Wiseman, who received an honorary Academy Award in 2016, was among the most influential directors of nonfiction cinema. ... He consistently dismissed categorizations of his work. I like to call them films rather than documentaries, he said, because he found the word documentary limiting. But he was as closely associated as anyone with the vérité documentary.
And though he denied that his movies had any political agenda, he was no stranger to controversy. His directorial debut, Titicut Follies (1967), a harrowing portrait of the Bridgewater State Hospital for the criminally insane in Massachusetts, remains the only film ever banned in the United States for reasons other than obscenity, immorality or national security. (The ban, imposed by Massachusetts on the grounds that the film violated the inmates privacy, was lifted in 1991; the film subsequently aired on PBS.)
Mr. Wisemans last films were among his best received. The novelist Jay Neugeboren, writing in The New York Review of Books, called In Jackson Heights (2015), a panoramic portrait of one of the countrys most diverse neighborhoods, in Queens, the most richly textured and sumptuously beautiful of Wisemans documentaries. Reviewing Ex Libris: The New York Public Library (2017) for The New York Times, Manohla Dargis called it one of the greatest movies of Mr. Wisemans extraordinary career and one of his most thrilling.

A scene from Mr. Wisemans directorial debut, Titicut Follies (1967), a harrowing portrait of the Bridgewater State Hospital for the criminally insane in Massachusetts. Zipporah Films
{snip}

Mr. Wiseman in an undated photo. I dont know if I can offer a general definition of what Im doing, he said in 2011, except to say Im trying to create dramatic structures out of ordinary experience. PBS, via Photofest
{snip}
A version of this article appears in print on Feb. 18, 2026, Section A, Page 20 of the New York edition with the headline: Frederick Wiseman, Influential Documentary Maker, Is Dead at 96. Order Reprints | Todays Paper | Subscribe
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Frederick Wiseman, 96, Penetrating Documentarian of Institutions, Dies (Original Post)
mahatmakanejeeves
8 hrs ago
OP
niyad
(130,876 posts)1. Requiescat in pace, good soul.
Kira_Thomsen-Cheek
(13 posts)2. Titicut Follies Change My Fuckin' Life
RIP - and I wish that a discussion here leads SOOOOOOOOOOO many new people to his amazing work.